Context No. 19 (Spring 2000)
All links are to downloadable PDFs
Music’s Audience: Reading and Listening to Music in Australia and England, 1880-1930
Front Matter
Articles
- Stephen Banfield. Voice, Speech and Accent in England (and Australia?)
- Thérèse Radic. Editing the Diaries of F.S. Kelly: Unique Insights into an Expatriate’s Musical Career
- Jennifer Hill. Crossing a Divide?: Maud Fitz-Stubbs as Amateur then Professional Musician in Late Nineteenth-century Sydney
- Dolly Mackinnon. ‘A Captive Audience:’ Musical Concerts in Queensland Mental Institutions c.1870-c.1930
- Anne-Marie Forbes. Music at an Exhibition: A Case Study of the Tasmanian International Exhibition, 1894-1895
- Megan Prictor. Cranks and Criminals: BBC music programming and British audiences, 1922-1939
- Suzanne Cole. ‘Enriched with the Englishman’s Harmony:’ Reading the History of Anglican Church Music
- Elizabeth Kertesz. Changing with the Times: Ethel Smyth’s Operatic Odyssey
- Michael Christoforidis. Issues in the English Critical Reception of ‘The Three-Cornered Hat’