Context No. 22 (Spring 2001)
All links are to downloadable PDFs
NATION AND IDENTITY
Front Matter
Articles
- Annegret Fauser. Alterity, Nation and Identity: Some Musicological Paradoxes
- Lesley Wright. Music Criticism and the Exposition Internationale Universelle de 1900
- Michael Adcock. The 1889 Paris Exposition: Mapping the Colonial Mind
- Roslyn Maguire. ‘Pleasure of a High Order:’ Paolo Giorza and Music at Sydney’s 1879 International Exhibition
- Jennifer Royle. ‘Turning the Wilderness into Flowers:’ Music as Triumph at Australia’s International Exhibitions, 1879–1888
- Michael Christoforidis. Igor Stravinsky, Spanish Catholicism and Generalísimo Franco
- Kerry Murphy. Meyerbeer, Judaism and French Music Criticism of the 1830s
- Suzanne Robinson. Love and Loss, Homosexuality and Pacifism in Tippett’s Song Cycle The Heart’s Assurance (1950–51)
- Mark Carroll. Jean-Paul Sartre, René Leibowitz, and the Musician’s Conscience
- Karl Kügle. History As Identity Politics: The Case of Mid-Nineteenth-Century Germany
- Hans Kuhn. The ‘Nationalising’ of Folksong in Nineteenth-Century Europe
- Claire Nelson. The Creation of a British Musical Identity: The Importance of Scotland’s Music in Eighteenth-Century Aesthetic and Philosophical Debates
- Daniel Grimley. Modernism and Norwegian Musical Style: The Politics of Identity in Grieg’s Norwegian Peasant Dances, Op. 72
- Dorothy de Val. ‘Fresh and sweet like wildflowers’: Lucy Broadwood, Percy Grainger, and the Collecting of Folksong