Context No. 50 (2024)

Frontmatter

• Contents
• Copyright
• Editorial

Introduction

• Peter Campbell. Context is Everything: A Fiftieth-Issue Reflection on our Journal of Music Research

Articles

• Chrissie Berryman & Anne-Marie Forbes. The In Nomine of Christopher Tye: Understanding the Cultural Forces that Shaped Tye’s Secular Instrumental Musical Expression
• Aidan McGartland. Stylistic and Technical Juxtaposition in Igor Stravinsky’s The Owl and the Pussycat
• Anna Jacobson. Music as ‘Transitional Object’ and the Curated Scrapbooks of Conductor Rudolf Pekárek
• Rachel Avery. A Queer Orientation to Pop: Song Form in the Music of Laura Nyro
• Gui Hwan Lee. Sheng, Guiro Bow, and (De)Familiarisation: On Timbral Techniques in Liza Lim’s How Forests Think

Composer Interview

• Sascha Kelly. Organic Development: An Interview with Andrew Aronowicz

Composition

• Andrew Aronowicz. Komorebi / ⽊漏れ⽇ for Chamber Orchestra

Research Report

• Caleb Triscari. Considerations for Future-Proofing Digital First Nations Music Collections

Reviews

• Casey Fitzpatrick. Jan W. J. Burgers. The Lute Music Published by Pierre Phalèse 1545–c. 1575
• Ross Chapman. Paul Watt. Music, Morality and Social Reform in Nineteenth-Century Britain
• Rachel Orzech. Patrick Carnegy. Wagner’s Theatre: In Search of a Legacy
• Sylvia Kahan. Kerry Murphy and Jennifer Hill, eds. Louise Hanson-Dyer: Pursuit of the New
• Christine Sharp. Nicholas Cook. Music, Encounter, Togetherness

End Matter

• Board of Advisors