Context No. 27 & 28 (2004)
All links are to downloadable PDFs
Front Matter
Articles
- Lynn Cavanagh. Organ Performance as a Trade Commodity of France: The Shaping of Concert Organist Jeanne Demessieux
- Geraldine Power. Yvette Guilbert: A Career of Public Applause and Personal Disappointment
- Joseph Toltz. Music: An Active Tool of Deception?
- Victoria Rogers. East Meets West in Peggy Glanville-Hicks’s The Transposed Heads
- Betty O’Brien. Anne Macky: A Radical in her Time
- Carolyn Philpott. Peter Sculthorpe’s String Quartet no. 14: A Musical Response to Social Injustice
- Peggy Lais. The Melbourne Popular Concerts: Emulating an English Concert Model
Reviews
- Liz Reed. Peter Dunbar-Hall and Chris Gibson, Deadly Sounds, Deadly Places: Contemporary Aboriginal Music in Australia
- Warren Bebbington. Dieter Borchmeyer, Drama and the World of Richard Wagner
- Poppy Fay. Sophie Fuller and Nicky Losseff, eds, The Idea of Music in Victorian Fiction
- Anthony Burton. Alison M. Garnham, Hans Keller and the BBC
- Paul Watt. Denise Yim, Viotti and the Chinnerys: A Relationship Charted through Letters
- Alan Davison. Katherine A. McIver, ed., Art and Music in the Early Modern Period: Essays in Honor of Franca Trinchieri Camiz
- Suzanne Cole. Meirion Hughes, The English Musical Renaissance and the Press 1850–1914: Watchmen of Music