Context No. 35 & 36 (2010 & 2011)
All links are to downloadable PDFs
Front Matter
Articles
- Julie Waters. Alan Bush’s Byron Symphony and Anti-imperialism in 1950s Britain
- Graeme Smith. The Gendered Voice of Australian Country Music
- Nino Tsitsishvili. Music and State of Mind: Towards an Evolutionary Model of Gender
- Sarah Auliffe. Popular Music and Memory Construction in Iranian Diasporic Contexts
- Aline Scott-Maxwell. Australia and Asia: Tracing Musical Representations, Encounters and Connections
- John Whiteoak. Italian-Australian Musicians, ‘Argentino’ Tango Bands and the Australian Tango Band Era
- Simon Purtell. ‘Musical Pitch ought to be One from Pole to Pole’: Touring Musicians and the Issue of Performing Pitch in Late Nineteenth- and Early Twentieth-century Melbourne
- Clinton Green. Deus ex machina: The Importance of Non-musical Formats and Chance Mechanisms in Syd Clayton’s Yehudi
Research Reports
- Margaret Osborne. Creating Musical Futures in Australian Schools and Communities: Refining Theory and Planning for Practice through Empirical Innovation
- Kent Windress. The Outsider Going In: Research and Participation in Batá Drumming and Santería Ritual
Composer Interview
Composition
- Joseph Twist. I Dance Myself to Sleep
Reviews
- Michael O’Loghlin. Samantha Owens, Barbara M. Reul and Janice B. Stockigt, eds, Music at German Courts, 1715–1760: Changing Artistic Priorities
- James Hobson. Peter Holman, Life After Death: the Viola da Gamba in Britain from Purcell to Dolmetsch
- Peter Campbell. Michael Kassler, ed., The Music Trade in Georgian London
- Robin Stevens. Charles Edward McGuire, Music and Victorian Philanthropy: The Tonic Sol-fa Movement
- Kath Nelligan. Shane Homan and Tony Mitchell, eds, Sounds of Then, Sounds of Now: Popular Music in Australia