Context No. 39 (2014)
All links are to downloadable PDFs
‘Wagner and Us’ Symposium
Front Matter
- Cover
- Contents
- Copyright
- Editorial
- Introduction: Dagny Beidler and Eva Rieger. The Wagner Anniversary in Germany and Switzerland
Articles
- Michael Halliwell. ‘Blow, Winds, and Crack your Cheeks!’ Shakespeare and Wagner
- Rachel Orzech. ‘How to React in France Against Hitlerian Pseudo-Wagnerism’: The Reception of Richard Wagner in Paris, 1933
- Michael Ewans. Two Landmarks in Wagner Production: Patrice Chéreau’s Centenary Ring (1976) and Nikolaus Lehnhoff’s Parsifal (2004)
- Sophie Boyd-Hurrell. ‘The Mirage of Eternity’: Adorno’s Critique of Wagnerian Temporality
- Solomon Guhl-Miller. Toward a New Understanding of the Wanderer in Siegfried, Act III: Wotan’s Voluntary Moral Step Backward
- Suzanne Cole. A Tale of Two Wagnerites: G.W.L. Marshall-Hall and John F. Runciman
- Peter Tregear. Post-Colonial Tristesse: Aspects of Wagner Down Under
- Kerry Murphy. Thomas Quinlan and the ‘All Red’ Ring: Australia, 1913
Reviews
- Beatriz Pomés Jiménez. Nelson R. Orringer, Lorca in Tune with Falla: Literary and Musical Interludes
- Alexandra Mathew. Paul Kildea, Benjamin Britten: A Life in the Twentieth Century and Neil Powell, Benjamin Britten: A Life for Music
- Myfany Turpin. Allan Marett, Linda Barwick and Lysbeth Ford, For the Sake of a Song: Wangga Songmen and their Repertories
- Rachel Landgren. Paul Rodmell, Opera in the British Isles, 1875–1918