Context No. 29 & 30 (2005)
All links are to downloadable PDFs
Front Matter
General Articles
- David Bennett. Postmodern Eclecticism and the World Music Debate: The Politics of the Kronos Quartet
- Anne Marshman. Pre-emptive Hermeneutics: Tippett’s Early Influence on A Child of Our Time’s Reception
- Bronwen Robertson. Persian Pop Music: At ‘Home’ in Exile and in ‘Exile’ at Home
Pre-composition
- Alex Selenitsch. Archipelago [artwork]
- Robert Dahm & Christopher Dench. Introduction: Pre-composition
- Paul Doornbusch. Pre-composition and Algorithmic Composition: Reflections on Disappearing Lines in the Sand
- Andrew Raiskums. Plainsong as Pre-composition: Josquin’s Missa de Beata Virgine
- Veronika Krausas. Some Thoughts about Pre-composition
Composer Interview
Performer Interview
Research Reports
- Alison Rabinovici. The Orchestral Ledger in the Louise Hanson-Dyer Music Library, University of Melbourne
- Michael Christoforidis. ‘Invasion of the Barbarians:’ Spanish Composers and Challenges to Exoticism in belle-époque Paris
- Rebekah Plueckhahn. Applying and Integrating Ethnomusicology in the Public Domain: Collaboration and Negotiation at Smithsonian Folkways Recordings
Reviews
- Patricia Shaw. Richard Langham Smith and Caroline Potter (eds), French Music since Berlioz
- John Whiteoak. Catherine Parsonage, The Evolution of Jazz in Britain, 1880–1935
- Ian Burk. Byron Adams and Robin Wells (eds), Vaughan Williams Essays